I made this one last Sunday for a self-promoting video about my services as a real estate agent. This gave me some awareness about working fast and not thinking to much. Now I feel more secure about my capabilities.
This one took a long time to finish. All this changes and uncertainties in my life kept me away from composition. Things are getting better now and I hope to get back on track.
This piece is about murder. A woman with a hammer climbs the wall of a gated community during the night with the sole purpose of blowing a man’s skull. She then comes back to her accomplice, who takes her home in a very old station wagon. As the text of the narrative, this piece was written fast, with sections corresponding to specific scenes. This is the sort of approach that suits me better in music composition.
Don’t take this as a movie soundtrack. It is the soundtrack of memories you recall after reading, either the entire text or a few suggestive sentences.
Composed for my sci-fi novel O Sentido Latente, this piece was a technical turning point to me. The melody on the long middle section was completely improvised, using the bass rhythm to guide me. Afterwards I matched the pitch of the bass with the melody, note by note, to achieve harmony. This was long before having any notion of the role of chords and progressions in music. I am particularly fond of the final result.
As in the case of Cristalia and probably all the music I will share on this blog, The Acacia Hotel is part of the soundtrack of my abandoned narratives. It is a very simple tune with both repetitive and improvised lines that somehow convey a refreshing mood, until the change to a more tense segment.
Most of the time music is looping inside my head. When a child and a teenager movies were my reference to understand reality, to the point of making me a spectator looking for aesthetic and ethical sense or finality in daily life. Such sense and causality is an illusion to make us feel safe. Now and then The Acacia Hotel recalls me the emotion of this chilling epiphany.
I composed Cristalia during one of my attempts to write a second science fiction novel. The narrative was abandoned but the sound remained. Most of my music is the result of this kind of process. Sometimes a specific scene and more often a certain mood persecutes me and I do my best to convey it through sound. After that initial stage, music takes me over to the unknown. I just let it go, mood, scenes and ideas emerging one after another whilst feeding each other in a creative symbiosis. It is all a team work of sensations.